Argus Far

Melodious musings, taken too far.

Single/EP/Album Reviews

All the latest reviews…

Tree Trunks – Hot Fruit REVIEW

What is in a first impression? Tree Trunks’ latest LP, Hot Fruit, is immediate with its saccharine peppiness; ‘Tiempo’, the opening track, shimmies with three notes of repeated woodwind and a wood block Soca rhythm. The melody is fairly simple, and Sam Lewis’ stream-of-consciousness lyricism is sung with a whimsical airiness. You may start worrying that the…

Help(2) – War Child REVIEW

Reviews are flooding in, as they often do, for the new HELP(2) charity record. So, to differentiate myself from the noise and furore, allow me to regale my experience of last night’s HELP(2) listening party at The Greyhound Pub in Peckham, where I heard the album a few hours before most of the world. I’ll be going through the…

Hannah Schneider – In This Room REVIEW

Hannah Schneider spent a two-month residency at The Thorvaldsen Museum in Copenhagen recording In This Room. The museum is dedicated to the life and works of Bertel Thorvaldsen, a Danish-Icelandic sculptor of international fame who specialised in the Neoclassical (an artistic movement inspired by the art and culture of Ancient Rome and Greece). Thorvaldsen himself is buried in the…

Gorillaz – The Mountain REVIEW

Last year, Gorillaz were on the nostalgia treadmill. For their silver anniversary, they reminisced on their visual history with the brilliant House Of Kong exhibition. This was located just behind the Copper Box Arena where they performed a residency consisting of their first three albums, plus a secret set (which turned out to be a…

Abronia – Shapes Unravel REVIEW

To unlock Shapes Unravel, you have to spend time with its cover art. A woman in red, her fist clenched, pasted between crags and crevices. She is facing a black tombstone, potentially a shrine, that stalks her, its central eye wide and unnerving. It looms over her, as though it floats amongst the mountain tops.…

Debut Discovery – The Cribs

In the music industry, authenticity is gold dust. The Reytons, for example, have built their whole identity around their working-class roots. Amongst their catalogue (which seems to consist either of the same Arctic Monkeys B-side riff or a Little Man Tate singalong), titles like Kids Off The Estate or Alcopops and Charity Shops tap into that mid-2000s indie aesthetic…

Dream Nails – You Wish REVIEW

With their third album, You Wish, Dream Nails have eschewed the overt for the opaque, menacing their way through eleven tracks, crunching and crackling like a heavy cloud. This is immediately apparent before the needle touches: the cover art shows a horse in endless water, both symbols of freedom and liberty, the image a departure from…

The Molotovs – Wasted On Youth REVIEW

Every kid wants to become a musician at some point. The lure of popularity is far too strong to ignore, the aesthetics of a guitar slung around your torso or a microphone gripped like a Millwall brick so ephemerally unreal that you can’t help but fixate on it. There are plenty of unlikely stories in…

The Boojums – The Boojums (self-titled) Review

Johnny Green, former road manager of The Clash, used to always say the best way to experience anything was live. Theatre, music, poetry, and even cycling (Green himself becoming a Tour de France fanatic in the 2000s) – all were better in-person, feeling first-hand the buzz of the amp, the whiskey on the breath, the…